Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Jean Baptiste Simeon Chardin
Partridge and hare cat

ID: 59719

Jean Baptiste Simeon Chardin Partridge and hare cat
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Jean Baptiste Simeon Chardin Partridge and hare cat


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Jean Baptiste Simeon Chardin

1699-1779 French Jean Baptiste Simeon Chardin Locations Chardin was born in Paris, the son of a cabinetmaker, and rarely left the city. He lived on the Left Bank near Saint-Sulpice until 1757, when Louis XV granted him a studio and living quarters in the Louvre. Chardin entered into a marriage contract with Marguerite Saintard in 1723, whom he did not marry until 1731. He served apprenticeships with the history painters Pierre-Jacques Cazes and Noël-Nicholas Coypel, and in 1724 became a master in the Acad??mie de Saint-Luc. Upon presentation of The Ray in 1728, he was admitted to the Acad??mie Royale de Peinture et de Sculpture. The following year he ceded his position in the Acad??mie de Saint-Luc. In November of 1731 his son Jean-Pierre was baptized, and a daughter, Marguerite-Agn??s, was baptized in 1733. In 1735 his wife Marguerite died, and within two years Marguerite-Agn??s had died as well. The Ray, 1728, Mus??e du Louvre, Paris.Beginning in 1737 Chardin exhibited regularly at the Salon. He would prove to be a dedicated academician, regularly attending meetings for fifty years, and functioning successively as counsellor, treasurer, and secretary, overseeing in 1761 the installation of Salon exhibitions. In 1744 he entered his second marriage, this time to Françoise-Marguerite Pouget. The following year a daughter, Ang??lique-Françoise, was born, but she died in 1746. In 1752 Chardin was granted a pension of 500 livres by Louis XV. At the Salon of 1759 he exhibited nine paintings; it was the first Salon to be commented upon by Denis Diderot, who would prove to be a great admirer and public champion of Chardin work. Beginning in 1761, his responsibilities on behalf of the Salon, simultaneously arranging the exhibitions and acting as treasurer, resulted in a diminution of productivity in painting, and the showing of replicas of previous works. In 1763 his services to the Acad??mie were acknowledged with an extra 200 livres in pension. In 1765 he was unanimously elected associate member of the Acad??mie des Sciences, Belles-Lettres et Arts of Rouen, but there is no evidence that he left Paris to accept the honor.[8] By 1770 Chardin was the Premiere peintre du roi, and his pension of 1,400 livres was the highest in the Academy. In 1772 Chardin son, also a painter, drowned in Venice, a probable suicide. The artist last known oil painting was dated 1776; his final Salon participation was in 1779, and featured several pastel studies. Gravely ill by November of that year, he died in Paris on December 6, at the age of 80.  Related Paintings of Jean Baptiste Simeon Chardin :. | Helena Youth violin | Girl Peeling Vegetables | Baskets of peaches with wine walnut knife | The House of Cards | The Ray (mk05) |
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Jean-Baptiste Pater
Jean-Baptiste Pater (December 29, 1695 - July 25, 1736) was a French rococo painter. Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Academie in 1728, presenting a large military work in the popular Watteau style - La Rejouissance des Soldats (Louvre).[1] Pater adopted the popular Fete galante subject matter, heavily imitating his teacher Watteau, indeed he directly copied some of his figures. Pater used a traditional Rococo pastel palette. His most characteristic difference in style from other artists of the time surrounded his use of shimmering lines. His most prominent customer was Frederick the Great, who sat for two portraits in the "Turquerie" style: LeSultan au Harem and Le Sultan au Jardin. One of Pater's most renowned works is Landscape with a Cart (Schloss Charlottenburg), which is considered to display a feathery application of paint that anticipates Francesco Guardi. The delicately constructed subject matter and figures subordination to the buildings represent a movement away from fete galante, however this development was cut short by Pater's death in 1736.
Juan Antonio Ribera Y Fernandez
1779-1860 was a Spanish painter, born at Madrid. He first studied under Francisco Bayeu and enrolled into the Royal Academy of San Fernando, but afterwards went to Paris and become the pupil of Jacques-Louis David. There he painted his Cincinnatus which is now in the Prado Museum. In course of time he went to Rome, and in 1811 was appointed painter to Carlos IV and member of the Academy of St. Luke; and in 1820, honorary member of the Academy of San Fernando. In 1838 he was made professor, and two years afterwards Director of the Prado. He died at Madrid.
Arvid Johanson
(born 3 February 1929) was a Norwegian newspaper editor and politician for the Labour Party. He served five full terms in the Parliament of Norway, was Norway's second Minister of Petroleum and Energy, and outside of politics he spent most of his career in the newspaper Halden Arbeiderblad. He was born in Halden as a son of Arvid Martin Johanson (1896 - 1981) and housewife Karla Niemi (1899 - 1932). He started his career as a journalist in Halden Arbeiderblad in 1947, and remained there for a year. In 1949 he worked in Sarpsborg Arbeiderblad. He returned to Halden Arbeiderblad, and remained there for the rest of his career. He underwent studies at the Norwegian Journalist Academy from 1942 to 1953 and at Fircroft College from 1954 to 1955. He was a board member of the county chapter of the Norwegian Press Association from 1954 to 1955.






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